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From TV fixture to film fixer: Q&A with Afghan Luke star Stephen Lobo

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After a relatively late start in a gritty industry, Toronto-born Stephen Lobo has had a consistent role on screen for the past five years, including past roles in major Canadian and American TV shows like Godiva’s, Little Mosque on the Prairie, Smallville, Falcon Beach and Painkiller Jane. His latest starring role is in the Canadian film Afghan Luke, directed by Mike Clattenburg (Trailer Park Boys).

Tony Aspler's Wine Pick of the Week: Petra Zingari IGT Toscana Rosso 2008

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A blend of Sangiovese, Merlot, Syrah and Petit Verdot fermented in stainless steel. Expect a bouquet of cherries, black licorice and leather with a truffle note. Full on the palate and rather supple, drinking well already, very pleasant and really well priced. Lots of flavour here. Food match: tomato-based pastas, fresh Parmesan.

Six ways to get aquainted with Marshall McLuhan’s legacy

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A hundred years after the birth of Marshall McLuhan, “prophet of the Information Age” and Canada’s most baffling icon, his legacy is being celebrated this year around the world with McLuhan 100, especially in Toronto, where he made his home and his mark on the world. In preparation for Monday’s event at the Toronto Reference Library, McLuhan 100: Toronto’s Future in McLuhan’s Global Village, here are six ways to get a better understanding of McLuhan.

Grab of the Week: a tongue-in-cheek happy/sad necklace from Lazy Oaf

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Now that the TIFF madness is over, we’re left with mixed emotions. We feel happy when we think back to all the great movies we saw, all the celebrities we spotted and all the parties we attended. But we also feel sad when left so exhausted and jet-lagged that we’d prefer not to get out of bed for the next two weeks in order to recover.

Band of the Week: The Shanks

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The music of The Shanks exists in a perpetual struggle with itself. It is at once unsettling and familiar, dark and soothing, heavy and pretty, while managing to remain cohesive. This Orangeville-area twosome take a White Stripes-minimalist approach, crafting tunes on just drums and bass, but managing to create enough dynamics and layers to keep the listener engaged — no easy feat, but made less painful by vocalist/bassist Ian Starkey’s haunting, at times operatic voice.