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Theatre Review: Murder on Ossington

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When invited to see a play called Murder on Ossington, it’s safe to say that one expects to see, well, a murder on Ossington. So imagine my disappointment at the play’s curious ending when (spoiler alert) there wasn’t any murder. Actually, there was a murder on Ossington, at one point. It’s what inspired the play, it just didn’t occur during it. So why is Pandemic Theatre’s newest piece called Murder on Ossington? That’s a very good question.

The LG Fashion Week Diaries: Day Five

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Adrian Wu ushered in the final day of Fashion Week. The 21-year-old designer —who has produced, oh, seven collections in two years — staged his collection in the smaller studio space. As a string quartet began playing, a spindly-legged male model — with his feet encased in shoes of absurd heights — emerged in a beige lace dress.

Pusateri’s closed: a timeline of events

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As has been widely reported, the Avenue and Lawrence location of Pusateri’s was shut down Thursday due to a pest infestation. The gourmet food store, a mainstay in the area, is expected to reopen pending a follow-up inspection. In the meantime, we have compiled a timeline of how the drama unfolded.

The LG Fashion Week Diaries: Day Four

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Day four began on a high note with Sarah Stevenson’s oh-so-pretty showing of ombre florals. Inspired by the spring flowers she discovered in her own Toronto backyard, Stevenson’s collection — comprised mostly of dresses — showcased both her artwork and digitalized imagery for the prints next to the garments themselves.

Theatre Review: In the Next Room or the vibrator play

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What a pleasure it is to encounter a near-perfect production of a play by one of the most exciting young playwrights in the world: Sara Ruhl. Still in her mid-30s, she was nominated for both a Tony and the Pulitzer Prize for her witty, raunchy and admirably serious play about 19th century sexuality In the Next Room or the vibrator play. A hit on Broadway less than two years ago, it’s now lighting up the Tarragon Theatre.