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Theatre Review: Murder on Ossington

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When invited to see a play called Murder on Ossington, it’s safe to say that one expects to see, well, a murder on Ossington. So imagine my disappointment at the play’s curious ending when (spoiler alert) there wasn’t any murder. Actually, there was a murder on Ossington, at one point. It’s what inspired the play, it just didn’t occur during it. So why is Pandemic Theatre’s newest piece called Murder on Ossington? That’s a very good question.

Theatre Review: In the Next Room or the vibrator play

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What a pleasure it is to encounter a near-perfect production of a play by one of the most exciting young playwrights in the world: Sara Ruhl. Still in her mid-30s, she was nominated for both a Tony and the Pulitzer Prize for her witty, raunchy and admirably serious play about 19th century sexuality In the Next Room or the vibrator play. A hit on Broadway less than two years ago, it’s now lighting up the Tarragon Theatre.

Band of the Week: Morning Thieves

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The Morning Thieves would probably be the first to admit that they’re all about the hooks. It’s rare to find a young band that’s enthusiastic about personal connection with their audience without coming off as totally superficial. But that’s this band in a nutshell: performers — entertainers, really — who trade in fun pop but don’t water it down too much. Like Hollerado, they’re just a little more complex than what you’d ordinarily hear on the radio.